The Priceless Collection of Marquis Campana: The 19th Century’s Largest Private Art Collection

Guild Magazine


  Paolo di Dono, dit Uccello, La Bataille de San Romano la contre-attaque de Micheletto da Cotignola. , Vers 1435 - 1440, Paris, musée du Louvre, département des Peintures, M.I. 469

Paolo di Dono, dit Uccello, La Bataille de San Romano la contre-attaque de Micheletto da Cotignola. , Vers 1435 - 1440, Paris, musée du Louvre, département des Peintures, M.I. 469


Giampietro Campana (1808 – 10 October 1880), created marchese di Cavelli (1849), was an Italian art collector who amassed one of the nineteenth century's greatest collection of Greek and Roman sculpture and antiquities. In 1857, he was convicted of embezzlement from the public funds in his care. The collection was seized and sold by the Papal States. The sensation sparked by its subsequent dispersal throughout Europe was testament to its importance in the Italian and European cultural consciousness. A significant part of the Campana Collection was purchased in 1861 by Tsar Alexander II, enriching the collections of the State Hermitage Museum. The rest of the collection – over 10,000 works – was purchased by Napoleon III and shared between the Musée du Louvre and various regional museums. Over time the collection has proved to be a source of inspiration for European artists and artisans, particularly in gold and silversmithing

The Musée du Louvre and the State Hermitage Museum in Saint Petersburg are joining forces for an outstanding exhibition based on the collection built up by Marquis Campana mostly between the 1830s and the 1850s. For the first time since its dispersion in 1861, the exhibition will provide a comprehensive overview of the 19th century’s largest private collection. With over 12,000 archaeological objects, paintings, sculptures, and objets d’art, and comprising both ancient and modern artefacts, it was a rich, diverse collection of the highest quality.

The exhibition will showcase over 500 works, including such masterpieces as the Sarcophagus of the Spouses and Paolo Uccello’s Battle of San Romano. It presents the romantic figure of Giampietro Campana, his passion for collecting, and how he brought together this extraordinary collection by way of excavations, the antique and art market, the network of collectors between Rome, Naples and Florence, and his links with scientific institutions. The Marquis Campana aimed to represent Italy’s cultural heritage, both ancient and modern ; as such, the collection was a founding moment in the affirmation of Italian culture during the Risorgimento – the emergence of the Italian nation in the 19th century. - GM

  Allégorie du Printemps de la collection Campana (INV P29) © C2RMF

Allégorie du Printemps de la collection Campana (INV P29) © C2RMF


A Dream of Italy

The Marquis Campana's Collection 

November 7, 2018 - February 18, 2019

www.louvre.fr/en


  Maître des Cassoni Campana, début du XVIe siècle. Ainsi nommé d'après quatre panneaux décoratifs de la collection Campana,Thésée et le Minotaure © L’œil et la mémoire Fabrice Lepeltier

Maître des Cassoni Campana, début du XVIe siècle. Ainsi nommé d'après quatre panneaux décoratifs de la collection Campana,Thésée et le Minotaure © L’œil et la mémoire Fabrice Lepeltier


  Pietro di Domenico da Montepulciano. Vierge de Miséricorde © L’œil et la mémoire Fabrice Lepeltier

Pietro di Domenico da Montepulciano. Vierge de Miséricorde © L’œil et la mémoire Fabrice Lepeltier


  Sandro Botticelli, la Vierge et l'Enfant, Département des peintures, musée du Louvre © RMN Grand Palais (musée du Louvre)

Sandro Botticelli, la Vierge et l'Enfant, Département des peintures, musée du Louvre © RMN Grand Palais (musée du Louvre)



Images courtesy of Musée du Louvre