Being based in South East Asia, and sitting right on the equator to be specific, we are known for Tropical dressing – prints and an almost stereotypical resort wear “look.” I want to challenge that stereotype. The way a sarong wraps and folds around the wearer is just as beautiful as a kimono. In my collections, I try to include South East Asian elements and present them in a new light.
– TOUCHING ON SOCIAL MEDIA AND HOW THE INDUSTRY HAS CHANGED IN THE PAST FEW YEARS, HOW DO YOU FEEL ABOUT THE COUNTLESS NUMBER OF TRENDS THAT CAN ENTER THE MARKET FROM WEEK TO WEEK?
I observe trends but do not follow them that closely. Instead, I look at the socio-political news and what is happening on the streets rather than the catwalk. To me, these are fresh and “original” materials to work off from, rather than run of the mill catwalk and trend pictures.
– CAN YOU SHARE WITH US ABOUT YOUR CREATIVE PROCESS WHEN DESIGNING A COLLECTION?
The development processes that I go through in the studio is extremely important to me. I rarely sketch during the development part of my collection. I collage, experiment with drapes, etc. I believe every designer should have different sets of development processes rather than sketching. We live in a digital world where we are constantly bombarded by visuals whether we like it or not. It is easy to sketch off memory, but that’s a dangerous path to tread!
– WHAT DO YOU FEEL IS YOUR GREATEST STRENGTH AS A DESIGNER?
I think my greatest strength as a designer is my ability to encapsulate where I am from and present these ideas in a modern light. With my clothes, I want women to feel powerful and feminine, all at the same time. I think femininity is not just in showing the contours of a female form, but also how a woman moves. I love for my clothes to reflect that. – GM